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  1. deliciaturca

    aymansanliturk: Ki ben kendi elleriye sevdi?i kad?n? topra?a…

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    aymansanliturk:

    Ki ben kendi elleriye sevdiği kadını toprağa vermiş adamım, hiçbirşeyin beni üzmemesi gerekir. Ama içimden gelmiyor konuşmak bile, bu duyarsız, yüzsüz, sorumsuz insanların nefreti karşısında. İnsan önce kendisini sevecek, elindeki için şükredecek sonra vuracak tokadı yüzüne ki bilsin insanın canı nasıl yanıyor, sevdiğinin başına bi şey gelince.

  2. deliciaturca

    thedsgnblog: Visual Identity for small furniture factory SlĂĄke…

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    Visual Identity for small furniture factory Slåke by Montaag


    Visual Identity for small furniture factory Slåke by Montaag


    Visual Identity for small furniture factory Slåke by Montaag


    Visual Identity for small furniture factory Slåke by Montaag


    Visual Identity for small furniture factory Slåke by Montaag


    Visual Identity for small furniture factory Slåke by Montaag


    Visual Identity for small furniture factory Slåke by Montaag

    thedsgnblog:

    Visual Identity for small furniture factory Slåke by Montaag

    “Inspired by Scandinavian design traditions Montaag created a minimalist expression to reinforce Slåke’s focus on their products. The colors are inspired from the nature in Hjelmeland; -sun, sky, mountains, cropland, grass, sand and sea. As a counterbalance to an otherwise tight visual profile, the circle is used to provide a contrast in both shape and color.”

    Montaag is a multidisciplinary design studio with offices in Berkeley (CA), Stavanger and Oslo, Norway. Their passionate and eclectic mix of designers and researchers are driven to create insightful, functional and, perhaps, unorthodox design solutions - solutions that add value and distinction, and ultimately, sharpen your competitive edge.

  3. deliciaturca

    mosddang: “The New World” revisits anonymous places of the 20th…

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    mosddang:

    “The New World” revisits anonymous places of the 20th century. It is set in a time characterized by the conflict of Modernist and Postmodernist convictions, its influence on later 20th century history, and ultimately, the world we live in today.

    On a formal level, this conflict defines the aesthetics of the collection. The interrelation of rational graphic design and anonymous photorealism reflects the contrast of manmade ideals and the acceptance of life in chaos. “The New World” is shaped by an original set of rules, metrics and processes. This enables the revelation of eclectic utopias that, for better or worse, withhold the definition of a photograph.

    Series I (2011) of “The New World” is a foundation. By topic, an insight to the issues that rule its core. By design, it is a showcase of the visual language it employs.

    Series II previews during Palm Springs Modernism Week 2013 and officially premieres Feb. 23rd at CURIO Studio & Collection in Venice, CA.

    It is created by Robert G. Achtel (1980) and Jens Bambauer (1981) in Wiesbaden, Germany. As a design product manufactured in limited editions of 100 per piece, the PLEXIGLAS® sealed Kodak exposures, laminated on DIBOND®, are essentially based on the partnership’s architectural photography in the United States.

    “The New World” is manufactured in cooperation with Oschatz GmbH & CO KG, one of Germany’s leading image production firms, founded as a photo laboratory in 1922.

    Whether it is the setting of your own stories, or the things you might find beneath the ubiquitous veneers, they sure are colorful pictures.

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