Headless #ds106: The Trailer
Credit to Todd Conaway
The Numbers
The ds106 flow includes syndicated 92934 distributed blog posts created by our participants since December 2010 when Jim Groom blogged the idea of ds106 as an open and online experiment.
Stuff to Try
Assignment Bank
Explore more thanThe Daily Create
Each day you get a new creative challenge in photo, drawing, audio, video, or writing form, that you can do in 20 minutes or less. Every day since January 8, 2012. Want a taste? Try one at random.ds106 Radio
Our own open free form internet-based radio station, broadcasting shared music, recordings, cross casts from other stations, as well as live broadcasts from community members. Learn how to tune in and how to grab the mic.Remix Machine
And now for something completely different! Interpret a random remix of the ds106 assignments. Make a new twist on an existing ds106 assignment.inSPIRE
The best of ds106! A site designed by ds106 students to showcase the works of others. Nominate anyone’s creations in ds106 that inspires you or explore it to become inspired.DS106 Never Parked
DS106 just keeps going and going… See where it’s been before.
They’re Here… The Open ds106 Course
ds106 poster by Jim Groom http://bavatuesdays.com/theyre-here-2/
Random Sampling the Past ds106 Flow
My essay, “Steps toward Recognition through Openness and the Virtual,” below was written for the Bowdoin Museum College of Art virtual exhibit “Fifty Years Later: The Portrayal of the Negro in American Painting.” My essay is best preface by reading Dana Byrd and Sarah Montross’s essay, “Fifty Years Later: An Introduction,” which describes the exhibit & site, and I excerpt here. The Portrayal of the Negro in American Painting was a landmark exhibition organized by and exhibited at the Bowdoin College Museum of Art during the summer of 1964. …[i]t attracted high-profile national attention, including visits and praise from Reverend Dr. Martin Luther King, Jr. … Organized at the height of the civil rights movement, The Portrayal of the Negro in American Painting was recognized …
Stuttgart
by Downes
May 24, 2014. Took the train to Stuttgart and spent the day wandering through downtown and climbing a hill. This is from the entrance to the 'New Palace' - according to Wikipedia, "from 1746 to 1797 and from 1805 to 1807, it served as a residence of the kings of Württemberg."
from Flickr http://flic.kr/p/nJN5dS
Steps toward Recognition through Openness and the Virtual (Fifty Years Later Essay)
Fifty Years Later: The Portrayal of the Negro in American Painting – A Digital Exhibition. 2014. Bowdoin Museum College of Art.